Virtual Publicist

Tiana Stanton

Editor·Fist Pumpers

Minneapolis, United States

  • Edm
  • Electronic
  • House
  • Accepts pitches

Covers: Big Room · Accepts Pitches · New Release CoverageRecently activeReviewed Aug 2026

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Tiana Stanton, Minneapolis-based editor associated with Fist Pumpers

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Why it matters

Why reach out to Tiana?

Tiana Stanton works as an editor at Fist Pumpers and is publicly associated with big room, accepts pitches and new release coverage. Artists and publicists reach out when a release genuinely lands in that lane.

Best for

Edm · Electronic · House

Formats

Editorial · Music Press · Blog Premiere

Market

Minneapolis · United States

Pitching

Accepts pitches

Playbook

How to approach Tiana

Lead with
The release story and why it fits Fist Pumpers.
Keep it
Short. Put the hook in the first two lines.
Send
A music link with short, relevant context.
Avoid
Generic introductions and oversized attachments.

Guidance reviewed at publication level; person-specific preferences are added as they are verified.

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Coverage

What does Tiana Stanton cover?

Genres

  • Edm
  • Electronic
  • House
  • Techno

Coverage

  • Big Room
  • Accepts Pitches
  • New Release Coverage
  • Minneapolis

Market

  • Minneapolis
  • United States

Signals

  • Accepts pitches
  • Professional contact available
  • Recently active

Discovery

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Contact

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About

Who is Tiana Stanton?

Tiana Stanton is a Minneapolis-based editor associated with Fist Pumpers. Their published work centres on Big Room, Accepts Pitches and New Release Coverage. Coverage runs through Editorial and Music Press. Genres in scope include Edm, Electronic and House. Tiana Stanton works as a editor with Fist Pumpers, based in Minneapolis. Tiana Stanton is editor at Fist Pumpers, based in Minneapolis, United States. Fist Pumpers covers big room and publishes new music from independent artists. Open to artist submissions. The topics that recur across their output are Big Room, Accepts Pitches, New Release Coverage, Minneapolis and United States, which is what makes them relevant to artists working in those areas. That work appears through Editorial, Music Press and Blog Premiere, so material should be prepared in a form those formats can actually use. On the music side, Tiana is publicly associated with Edm, Electronic, House and Techno. Role: Editor. Works at: Fist Pumpers. Based in: Minneapolis, United States. Campaign types: Blog Premiere, Pr Press, Press Feature. Lead with the story, not a generic introduction.Keep the email short and say in the first two lines why the subject fits Tiana's editorial coverage. Attach nothing on the first email — link the music and one page of context. Everything on this page comes from public professional sources and is re-checked when the record changes; no private details are published.

Role
Editor
Works at
Fist Pumpers
Based in
Minneapolis, United States
Campaign types
Blog Premiere, Pr Press, Press Feature

Featured in

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Questions

About Tiana Stanton

Tiana Stanton works as editor and covers Big Room, Accepts Pitches, New Release Coverage and Minneapolis. Pitches that sit clearly inside that coverage are the ones worth sending.

Tiana Stanton is based in Minneapolis, United States. Location matters for timing, local angles and which releases are realistically relevant.

A professional contact route for Tiana is stored in Virtual Publicist and available to members. Contact details are never published openly on this page.

Lead with the story, not a generic introduction.Keep the email short and say in the first two lines why the subject fits Tiana's editorial coverage. Attach nothing on the first email — link the music and one page of context.

Virtual Publicist lists 12 profiles with overlapping coverage, location or outlet type. See the similar profiles section on this page.

Profile information

Publicly sourced · AI enriched · Manually reviewed · Reviewed August 2026

This page is published for people who already know the name, but it is not listed in search yet: it still needs at least two real related entities and no private data in the public projection.