Taylor Gibbons
Features Editor·Electric Bounce
Minneapolis, United States
- Edm
- Electronic
- House
- Accepts pitches
Covers: Features · Electronic · Accepts PitchesRecently activeReviewed Aug 2026
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Why it matters
Why reach out to Taylor?
Taylor Gibbons works as a features editor at Electric Bounce and is publicly associated with features, electronic and accepts pitches. Artists and publicists reach out when a release genuinely lands in that lane.
Best for
Edm · Electronic · House
Formats
Editorial · Music Press · Blog Premiere
Market
Minneapolis · United States
Pitching
Accepts pitches
Playbook
How to approach Taylor
- Lead with
- The release story and why it fits Electric Bounce.
- Keep it
- Short. Put the hook in the first two lines.
- Send
- A music link with short, relevant context.
- Avoid
- Generic introductions and oversized attachments.
Guidance reviewed at publication level; person-specific preferences are added as they are verified.
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What does Taylor Gibbons cover?
Genres
- Edm
- Electronic
- House
- Techno
Coverage
- Features
- Electronic
- Accepts Pitches
- New Release Coverage
Market
- Minneapolis
- United States
Signals
- Accepts pitches
- Professional contact available
- Recently active
Discovery
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Contact
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About
Who is Taylor Gibbons?
Taylor Gibbons is a Minneapolis-based features editor associated with Electric Bounce. Their published work centres on Features, Electronic and Accepts Pitches. Coverage runs through Editorial and Music Press. Genres in scope include Edm, Electronic and House. Features Editor · Electric Bounce. Taylor Gibbons works as a features editor with Electric Bounce, based in Minneapolis. Taylor Gibbons is features editor at Electric Bounce, based in Minneapolis, United States. Electric Bounce covers electronic and publishes new music from independent artists. Open to artist submissions. The topics that recur across their output are Features, Electronic, Accepts Pitches, New Release Coverage and Minneapolis, which is what makes them relevant to artists working in those areas. That work appears through Editorial, Music Press and Blog Premiere, so material should be prepared in a form those formats can actually use. On the music side, Taylor is publicly associated with Edm, Electronic, House and Techno. Role: Features Editor. Works at: Electric Bounce. Based in: Minneapolis, United States. Campaign types: Blog Premiere, Pr Press, Press Feature. Lead with the story, not a generic introduction.Keep the email short and say in the first two lines why the subject fits Taylor's editorial coverage. Attach nothing on the first email — link the music and one page of context. Everything on this page comes from public professional sources and is re-checked when the record changes; no private details are published.
- Role
- Features Editor
- Works at
- Electric Bounce
- Based in
- Minneapolis, United States
- Campaign types
- Blog Premiere, Pr Press, Press Feature
Featured in
Collections that include Taylor Gibbons
Questions
About Taylor Gibbons
Taylor Gibbons works as features editor and covers Features, Electronic, Accepts Pitches and New Release Coverage. Pitches that sit clearly inside that coverage are the ones worth sending.
Taylor Gibbons is based in Minneapolis, United States. Location matters for timing, local angles and which releases are realistically relevant.
A professional contact route for Taylor is stored in Virtual Publicist and available to members. Contact details are never published openly on this page.
Lead with the story, not a generic introduction.Keep the email short and say in the first two lines why the subject fits Taylor's editorial coverage. Attach nothing on the first email — link the music and one page of context.
Virtual Publicist lists 12 profiles with overlapping coverage, location or outlet type. See the similar profiles section on this page.
Profile information
Publicly sourced · AI enriched · Manually reviewed · Reviewed August 2026
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This page is published for people who already know the name, but it is not listed in search yet: it still needs at least two real related entities and no private data in the public projection.




